Attendance at weekly screenings is required.Prerequisite(s): FLM 201 - Film History I: 1895-1950 or permission of the instructor.Meets general academic requirement HU (and W when offered as 202). National cinematic traditions have developed in virtually every corner of the world, making an understanding of film’s relationship to its conditions of production and reception integral to the work of cultural historians, students of politics and communications, philosophers, and sociologists alike. ENG 255 Literature and Film  This course examines the relationship between novels and plays and their film-adaptations, concentrating on the different ways in which we read and interpret these narrative forms. We will begin by examining the cultural and social influences leading up to the "annus mirabilis" of 1956. Numerous theoretical approaches will be used to study the rise and fall of the Western’s popularity, its role in shaping popular myths about the United States, and its representation of masculine identity. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & … This course also surveys new East Asian cinema – for example, Wong Kar-wai’s In the Mood for Love (Hong Kong/China) Hou Hsiao-hsien’s City of Sadness (China), Edward Yang’s Yi Yi (Taiwan), Im Kwon Taek’s Chunhyang, and Takeshi Kitano’s Fireworks (Japan) – and one or two films from India (Mira Nair’s Salaam Bombay and a selected Bollywood extravaganza.) A program for Media & Communication and Film Studies majors in Dublin, Ireland, and a Dance program in Arezzo, Italy, are both offered during the spring semester. Attendance at weekly screenings is required.Meets general academic requirement HU. FLM 227 Melodrama “Melodrama” does not just mean exaggerated emotion; it is a form of popular storytelling that puts its characters in dramatic situations in which the stakes are nothing less than the victory of good over evil. Muhlenberg College, Allentown. Meets general academic requirement HU (and W when offered as 239). Reads . 4.65. As a theoretical lens, students will consider the cinematic medium as a vehicle for virtual travel and read accounts of film spectatorship that consider particular travel experiences. In addition, Muhlenberg has established exchange opportunities in Europe and in Japan. Required Monday evening screenings. What are the demands of nonfiction editing, and in what ways might these two modes align? © Network. COM 367 Studio Workshop in Television & Film Beginning with a survey of the promise and demands, historical, economic, and political circumstances surrounding community television, this course broadens students' exposure to television formats beyond mainstream commercial media. Through their research-production projects, students learn to work with more advanced visual and organizational concepts and tools. Professors:  Birgel, Cartelli, Coppa, McEwan, Tafler Students will both direct and act in this course, but no previous directing or acting experience is required. Search. How, for example, can an edit align with and accentuate the dynamics of a scripted scene? FLM 380 Pre-Production Plan/DesignStudents will learn the process of film and videomaking from idea stage to the day before shooting begins. Students will write reviews of classic and contemporary films in a variety of lengths and formats, for different intended audiences. Film studies is also designed to complement other major and minor programs that students might choose to pursue in art, media and communication, English, music, and theatre arts, among others. Gefällt 12.426 Mal. FLM 250 Contemporary World Cinema This course offers a selective survey of some of the most cutting-edge films produced around the world in the last 10-20 years, including those that offer sustained insight into specific national cultures, and those that are more global in orientation, and address the worldwide mixing and mingling of people and cultures. The course will attend closely to the variety of decisions that inform the translation of literary works into a different medium with different conventions for a different audience.Meets general academic requirement HU. When films provide the rules of their own reality, spectators and their surrogate characters grope for a foothold of understanding and sanity. Muhlenberg College is a private liberal arts college affiliated to the Evangelical Lutheran Church. List of Muhlenberg College majors by size and degree. Across all areas of study, Muhlenberg College awarded 734 undergraduate degrees in 2018 - 2019 . Muhlenberg has an active film culture both on and off-campus. THR 355 On-Camera Acting This upper-level acting course is designed to introduce students to the skills required to work effectively on camera. Focusing on production tools and skills, class workshops and outside exercises that facilitate becoming comfortable with camera and editing equipment and with the overall production process. We will focus on generating compelling subjects, scripting and storyboarding, casting and location scouting, and all of the work that goes into creating engaging images in front of a camera. Like Tarantino, we will watch films closely and analyze their themes and structures. We will then look the ways these plays helped to revitalize the British cinema of the postwar era, creating a cinematic scene in which the free cinema and "kitchen sink" films of the 1950s gave way to the bold, taboo-breaking movies of the 1960s. FLM 388 Video JournalismAs journalism evolves, more media outlets rely on documentary principles to convey their message: strong, character-driven stories; compelling visuals; dynamic sound-image relationships. Special attention will be paid throughout to contemporary developments in film style, evolving cultures of film taste and reception, and film art as cultural expression. Director of Film Studies Associate Professor of Film Studies and Media & Communication B.A., College of William and Mary M.A., University of California, Berkeley Ph. The emphasis is on narrative films, with some attention to experimental films. We will consider the role of popular film in the development of Indian nationhood, its influence on notions of gender and caste, and its function as a binding influence on the Indian Diaspora. Film Studies; Allentown, United States; Advertisement. Though a close analysis of these films, the student will gain an understanding and appreciation of cinematic techniques as well as the cultural, social and political background which shaped these works. FLM 336 African American Cinema This course surveys African American filmmaking from the silent ear to the present, along with a few films that represent the broader African Diaspora. In order to provide students with a grounding in the film cultures in question, the course will also explore literary works and the commercial, social, and political conditions that inform film production, distribution, and reception. Time should permit us to screen some of these films in their entirety during the class meetings. Attendance at weekly screenings is required.Meets general academic requirement DE. Special emphasis is placed on advanced textual and film analysis, scholarly discussion, and writing. Meets general academic requirement HU and DE. In this course, students will study and write a spec script for an existing show of their choice. We will also consider how these topics are illus trated throughmelodrama’s aesthetics, such as music, dramatic editing, and symbolic use of setting. FLM 325 French New Wave Cinema This course explores the very rich period in French Cinema during the 1950s and 1960s that is known as the French New Wave (La Nouvelle Vague). The course will also include extensive practice in editing and re-writing, and include weekend trips to local cinemas to review films on short deadlines. The course examines the history and innovation of community television in the United States and overseas. Meets general academic requirement AR. Short Term Study Abroad Muhlenberg Integrated Learning Abroad Legal and ethical issues involved in media production are considered. This course will examine the classic works of the genre within their sociopolitical context and investigate why they were so popular among audiences, why they were able to violate some rules of the Production Code, why certain actors are inextricably linked to the genre, and why neo-noirs are still being made. FLM 334 Bollywood: Indian Popular Cinema India’s Bombay/Mumbai-based cinema is one of the world’s few challenges to the influence of American film. FLM 360 Major Filmmakers This course focuses on one or two major filmmakers and considers repeated and/or developing themes in his or her body of work. Course readings will consist of one novel by Elmore Leonard, two screenplays by Tarantino, as well as secondary literature on Tarantino and postmodern popular culture. The course proceeds chronologically from 1915 through the present. Film has emerged in the last 100 years as a global phenomenon with broad social, cultural, and commercial implications. Students explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. COM 240 Introduction to Film Analysis  Introduces different strategies and different approaches for analyzing film and video texts including: formal, narrative, semiotic, psychoanalytic, social/cultural, and feminist. Students should start conceptualizing their ideas well in advance of the start of the semester. Dining, Health, Residential, and Disability Services work in tandem to meet the needs of our students who require accommodations. Who We Are. Although the course concentrates on recent, it will also attend to seminal movements in the development of national cinematic traditions, such as the postwar films of Akira Kurosawa and Yasujiro Ozu in Japan and Satyajit Ray in India. If you have trouble accessing resources, see the Off-Campus Access page for help. FLM 201 Film History I: 1895-1945 An exploration of the international history of film from its invention through the silent era, the rise of Hollywood, and the development of sound to the end of World War II. Majors & Fields of Study at Muhlenberg College. Prerequisite: THR 251 Acting II: Scene Study. Meets general academic requirement DE. The electives can come from any of the courses in the categories “Production”, “National and Regional Cinemas” and “Genres, Forms, and Movements” or from the following courses: FLM 202, 204 - Film History II: 1950-Present, COM 367 - Studio Workshop in Television & Film, ENG 364 - Advanced Screenwriting Workshop, ENG 263, 264 - Postwar British Theatre & Film, FLM 332 - Film Cultures of North Africa & the Middle East, FLM 334 - Bollywood: Indian Popular Cinema, FLM 229 - Travel & Cultural Encounters in Film, FLM 970 - Film Studies Independent Study/Research, Print Degree Planner (opens a new window), The Wescoe School of Continuing Education, Acalog™ Academic Catalog Management System™ (ACMS™). Tarantino was largely an autodidact who learned his craft watching films while working in a video store. Writers will comment on each other’s work in a workshop setting. Attendance at weekly screenings is required.Meets general academic requirement DE. As with all writing courses in film studies or the creative writing minor, this course aims to develop students’ creative voices in ways that are applicable to all kinds of writing. FLM 281 Indiewood, USAThis course explores the movement to develop and sustain a low-budget, risk-taking, reality-based strain of independent film production in America as an alternative to the dominance of commercially-driven Hollywood product and production standards. Prerequisite(s): ENG 226 - Introduction to Screenwriting or permission of instructor. Das College befindet sich in Allentown, Pennsylvania und beschäftigt fast 200 Vollzeit-Kräfte. Javascript is currently not supported, or is disabled by this browser.  Muhlenberg College 2400 Chew St.  Allentown, PA 18104   484-664-3100. The college was founded as a seminary in 1848 by the Reverend Samuel K Brobst. Through their research-production projects, students learn to work with more advanced visual and organizational concepts and tools. Meets general academic requirement HU. ), Kelly Reichardt (Wendy & Lucy), and Richard Linklater (Waking Life). Topics may include auteur studies, genre or form studies, national or regional film studies, film theory, or explorations of film and popular culture. We will then trace the emergence of John Osborne and other "Angry Young Men," and the development of a drama overtly engaged with issues of class, gender, and sexuality. Tempelhof-Schöneberg (Rights reserved) Issue 2018 (Rights reserved) About. Contact. FLM 389 Writing The TV Spec ScriptWriters seeking work in the television industry generally complete a "spec script," a complete script for an episode of a program that already exists. No more than 4 courses from any single department or major (other than FLM) can count toward the film major. The production component of the curriculum gives every student the opportunity for hands-on experience in filmmaking and allows motivated students to pursue additional work in screenwriting, acting and directing, and advanced video production. We will focus on Reservoir Dogs, Pulp Fiction, Jackie Brown, the two-part Kill Bill, Inglourious Basterds, and Django Unchained as well as some of the many disparate films that influenced him. Hier lernte Montaigne auch Altgriechisch. 12. Meets general academic requirement HU (and W when offered as 264). Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. NACHRICHTEN TERMINE Thema Mühlen Wissenswertes, Image-Film + Videos. To declare and be retained as a film studies major, a student must maintain a 2.00 grade point average based on all the courses required for the major. Open to all students at all levels. Pre-requisite: COM 251 Intro to Moviemaking, or permission of instructor. Genres that may be taught include commercials, daytime, primetime (sitcom and drama), and film. Disclaimer: It is presumed that all students enrolled in this film studies course are familiar with Tarantino’s films. Schule, Studien (1539–1554) [Bearbeiten | Quelltext bearbeiten] 1539 bis 1546 besuchte Montaigne das Collège de Guyenne in Bordeaux, wo er bei seinen Lehrern teilweise gefürchtet war, weil er besser Latein sprach als sie. Attendance at weekly screenings is required.Meets general academic requirement DE. This course will also count as an elective in the Media & Communication major and in the new Documentary Storymaking Minor. Prerequisite(s):COM 251 Introduction to Moviemaking recommended. Open to students at all levels. Writers will comment on each other’s work in a workshop setting. Founded in 1848, Muhlenberg College is a highly selective, private, four-year liberal arts school located in the beautiful Lehigh Valley of eastern Pennsylvania. FLM 349 Film Reviewing This writing-intensive course focuses on the art of reviewing films for both popular and scholarly outlets. Attendance at weekly screenings is required.Meets general academic requirement HU. 358. Attendance at weekly screenings required.Meets general academic requirement HU. Applying theoretical and practical frameworks, we will consider pacing, rhythm, sequencing, continuity, sound, color and other elements in an editor's arsenal, to explore the many ways that editing contributes to story and concept development. Films explored in this course will likely include Bad Education (Spain), Amores Perros (Mexico), Code Unknown (Austria/France), Chunkging Express (Hong Kong/China), The World (China), A Separation (Iran), Once Upon a Time in Anatolia (Turkey), The Best of Youth (Italy), Waltz with Bashir (Israel), The Class (France), and District 9 (South Africa), among others. These films contain scenes of very graphic violence and vulgar language. Attendance at weekly screenings is required. Provides hands-on experience beginning with the development of a professional project, treatment, script, and storyboard. In addition, readings put all the films in the context of theoretical discussions concerning what constitutes “black,” “African,” or “Third Cinema,” politically and aesthetically. The course also considers as a sub-theme the “road movie” in American culture and what it says about the relationship of dominant American culture to the land and the indigenous inhabitants. COM 251 Introduction to Moviemaking Introduces basic concepts of time-based visual media with an emphasis on the perception and experience of moving images, kinesics, and the structure and aesthetics of cinematic language. ENG 263, 264 Postwar British Theatre and Film This course explores what has been called the "second renaissance" of British drama -  "the new drama" of 1956 and after - and the parallel British New Wave of cinema. The overlapping Film Studies, Media & Communication, and Documentary Storymaking programs at Muhlenberg have 16 full-time faculty, making us the largest liberal arts film and media programs in the United States – with more extensive offerings than many large universities. Attendance at weekly screenings is required. Selected French New Wave and Asian films, The Killing, Coffy, The White Hell of Piz Palu, and The Good, the Bad, and the Ugly, as well as others will also be examined. Muhlenberg College ist ein US-amerikanisches Privat-College, das 1848 gegründet wurde. COM 467 CUE: Advanced Video ProductionStudents explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. The Wescoe School of Muhlenberg College features â ¦ The College is located in Allentown, Pennsylvania, approximately 55 miles north of Philadelphia and 90 miles west of New York City. Open to all students at all levels. Students will develop an understanding of the grammar, vocabulary, and conventions of film and video production, and the factors that shape viewers’ reception.Meets general academic requirement HU. Plays and films on which we will focus in the next several years include Heiner Muller's "Hamletmachine", Julie Taynor's "Titus", Michael Almereyda's "Hamlet", and Kristian Levring's "The King is Alive".Prerequisite(s): THR 100 Theatre & Society: An Historical Introduction or any 200 level ENG course or permission of instructor.Meets general academic requirement W when offered as 322. Der amtierende Rektor war André de Gouveia. Assistant Professor:  Bazaz. Publications . FLM 382 Global Queer CinemaThis course introduces students to a range of contemporary queer cinema from across the globe as well as key questions in queer film studies. Directors whose work will be screened and discussed will likely include Mathieu Kassovitz (La Haine), Michael Haneke (Caché), Claire Denis (I Can’t Sleep), Wim Wenders (Lisbon Story), Fatih Akin (Edge of Heaven), and Lars von Trier (Zentropa), among others. Students present ongoing work and final projects in either an online or broadcast venue. The program’s goal is for all students of the discipline to extend the range and quality of their viewing experiences and to become better informed interpreters of the ways in which film both shapes and represents the world around them. FLM 225 The Western Film This course will examine the Western as the American film genre par excellence. Faculty regularly arrange special screenings, often accompanied by visiting filmmakers. The course provides students an opportunity to explore how to channel ideas into practice by expanding students' established skills (research, writing, scripting, producing, directing, multi-camera and audio strategies, staging and lighting, postproduction). FLM 385 Cinema of New EuropeThis course examines films that emerged in the “new Europe” after the fall of the Berlin wall in 1989, in the wake of the expansion of the European Union in the 1990s, and as a consequence of the mixing and mingling of Eastern and Western Europeans, and of immigrants from Asia, Africa, and the Caribbean, which has radically altered the ethnic composition of most European societies, particularly France. Film Studies and Media & Communication. Films are likely to include Billy Liar, The Loneliness of the Long Distance Runner, Alfie, Tom Jones, The Servant, The Knack and How To Get It, and A Hard Day's Night. Taught in English. This course will focus on the prominence of melodrama in narrative film, particularly popular American film, to reveal the flexibility of what some scholars argue is more than a genre, but is actually one of the dominant modes of filmmaking from its inception. Contact information and tips for finding online resources can be found on theAccessing Online Resourcespage. Students should start conceptualizing their ideas well in advance of the start of the semester. This course examines the world’s largest film industry with the aim of understanding the place of popular cinema outside of the Hollywood model. Students will prepare character profiles, treatments, and at least one screenplay. The Film Studies Department at Muhlenberg College on Academia.edu Using material drawn from the professional world, students will work in a variety of on-camera genres. Playwrights may include John Osborne, Arnold Wesker, Ann Jellicoe, Harold Pinter, Joe Orton, Edward Bond, and Shelagh Delaney. Die Leitmesse für Denkmalpflege 2020 'denkmal' in Leipzig ist abgesagt! Projects 1. At Muhlenberg. Neuerwerbungen im Juni 2010 Universität Heidelberg Alle Institute. The film studies program at Muhlenberg offers a rigorous interdisciplinary experience that helps students understand both the technical and expressive components of the cinematic medium and gain practical experience in film production within the framework of a liberal arts education. Approximately 85% of faculty have a Ph.D or other terminal degree in their respective fields. Video journalists in this course will partner with writers in Intro to Long-Form Journalism to research and produce multi-media stories about issues pertinent in the Lehigh Valley. The cultural encounters depicted include those in colonial Africa, India, and the Americas, as well as post-colonial encounters in new relationship configurations such as migration and tourism. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. Students will explore the art of editing through hands-on exercises using Adobe Premiere Pro. Network. Students present ongoing work and final projects in either an online or broadcast venue. Please enable Javascript for full functionality. The Paul McHale Collection This collection documents the congressional work of Paul McHale (1950-), U.S. Representative for Pennsylvania's 15th district from 1993-1998. FLM 202, 204 Film History II: 1950-Present An exploration of the international history of film from the end of the War through important European developments (the French New Wave, Italian Neo-Realism, and New German Cinema) and dramatic changes in production and viewing in the United States (through the Sixties and Seventies) to recent emergence of national and regional cinemas in countries all over the world. FLM 229 Travel and Cultural Encounters in Film This course looks at narrative and experimental films that thematize the act of travel as a trigger for cultural encounters, which often result in conflicts, power differentials, and individual senses of displacement or disorientation. The major in Film Studies requires 9 courses, 4 of which must be at the 300 or 400 level. This marvelous collection, gifted to Muhlenberg College in 1991, contains more than 31,000 pieces of American popular music published between 1900-1965. Least 2 of which must be at the 300 or 400 level course proceeds chronologically from through... Life ) the film major in either an online or broadcast venue and commercial implications an show! Communication major and in the United States from an interdisciplinary perspective of choice!, treatment, script, and in what ways might these two align! Different intended audiences the convergence of video and digital media while studying the problems constructing! 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